Writer’s Commentary: Chris Sebela Talks KISS/Vampirella #2
Welcome back, my friends, to the show that never ends. Or at least it feels like that when you’re reading my really yappy commentary track on KISS/VAMPIRELLA #2, which you now hold in your hot little hands.
Before we get rolling, I wanna stop for a second at the start and talk about how good of a team Annapaola and Valentina are on this book. A mismatch between line art and colors can mess up even the greatest book, but Valentina takes Annapaola’s amazing inks and really builds on them. Anyhow, I know people were a little iffy that not a ton of BIG STUFF happened last issue, so we’ll see if this one fixes that. Let’s get into it.
Page 1:
Oh, and story-wise, we’re back in the house on Cielo Drive, which no longer exists. It got torn down after Trent Reznor owned it in the late ’90s. A perfect place for a nice satanic ritual with our buddy in the suit who Lily and Vampi followed up here last issue.
Page 2:
And we’re back with KISS and their buddy being run down the side of the Riot House. I definitely approached KISS as a real band; real people who find themselves quickly drawn into something completely nuts and how they’d react to that, which is mostly diving in and worrying about the consequences later.
Continue reading on bleedingcool.com >>
Before we get rolling, I wanna stop for a second at the start and talk about how good of a team Annapaola and Valentina are on this book. A mismatch between line art and colors can mess up even the greatest book, but Valentina takes Annapaola’s amazing inks and really builds on them. Anyhow, I know people were a little iffy that not a ton of BIG STUFF happened last issue, so we’ll see if this one fixes that. Let’s get into it.
Page 1:
Oh, and story-wise, we’re back in the house on Cielo Drive, which no longer exists. It got torn down after Trent Reznor owned it in the late ’90s. A perfect place for a nice satanic ritual with our buddy in the suit who Lily and Vampi followed up here last issue.
Page 2:
And we’re back with KISS and their buddy being run down the side of the Riot House. I definitely approached KISS as a real band; real people who find themselves quickly drawn into something completely nuts and how they’d react to that, which is mostly diving in and worrying about the consequences later.
Continue reading on bleedingcool.com >>
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